The First State Bed of
Henry VII & Elizabeth of York
October 1485 - January 1486
This much-repaired and partial frame with beautiful design and rich carving is the sole surviving example of a late medieval royal state bed. Its importance is such that it transcends furniture, being a national cultural treasure of the highest order.
Over 200 samples of a late medieval paint treatment have been found beneath its Victorian varnish, applied after it was found dilapidated in 1842. A dendrochronology report claiming its ring pattern 'must be American White Oak' growing in the north-eastern United States after 1756 made no sense in this light, a claim subsequently disproven by the identification of its DNA and its genetic origin. It is made of European oak, almost certainly from central Europe, the area known to have been the source for medieval English royal furniture. continued
A summary of the extensive evidence for its attribution is presented via the link below.
Hever Castle, the childhood home of Queen Anne Boleyn, is exhibiting the State Bed on loan from the Langley Collection in the 'Bed of Roses' exhibition. The bed will be on display in the Long Gallery until 22nd November 2015.
The John Houghton Bed
5 ft Irish Lions Mask Four Poster Bed. A rare example of early Irish work attributed to the important Irish carver and gilder John Houghton, Golden Lane, Dublin. Circa 1740 with later restoration.
Stunning Lions Mask carvings to posts, cornice and headboard. Substantial hairy paw feet to base of footposts. Chinese fretwork, dental cornice. Mahogany.
Knowledge of John Houghton has recently been expanded by the exciting rediscovery of the autobiography of the English carver and designer, Thomas Johnson, well known for his pattern books of high rococo ornament published between 1755 and 1762. Johnson, described Houghton as 'much the best carver, in his line, in Dublin' and also called him 'the best wood-carver, for basso relievo figures, I ever saw before or since'. Johnson spent several months in Houghton's workshop in 1746 (see J. Simon, 'Thomas Johnson's The Life of the Author', Furniture History, 2003, pp. 1-64).
Width 5ft (152.4cm).
The Dunster Castle Bed
Fine Regency four poster bed originally from Dunster Castle. Regency four Poster, c1815 - 1820 made for the Lutterel family of Dunster Castle. Spiral twist mahogany posts with boxwood inlay and ebony stringing, terminating in a gadrooned foot with brass mounts.
Ebonised domed top canopy with parcel gilt edging and applied gilt brass rosettes. The Egyptian style of the bed suggests the influence of Thomas Hope. The castle was bequeathed to the National Trust by Colonel Lutterrel and it remains a National Trust property.
There remains a bed by the same maker at the castle, you can see a photograph.
9ft 3" (283cm) tall to canopy centre, 6ft 6" (170cm) wide, 6ft 11" (212cm) overall length.
The Goodison Bed
Kentian mahogany four poster Circa 1735. A masterpiece of early Georgian design and craftsmanship, attributed to Benjamin Goodison (Golden Spread Eagle, Long Acre, royal cabinet-maker to King George II).
A very rare bed of outstanding design in the Palladian manner. The foot posts of fluted form with ionic capitals. The lower section with gadrooned moulding above a ring supporting a garland of foliage, fruit and flowers. A lion mask projecting from the corner above a monumental paw foot with recessed lignum vitae castors. The canopy with a Greek key pattern frieze. The complete framework of mahogany, later adapted to take slats.
There are many similarities to the Goodison tables sold by Christies 9th May 1988 London, believed to have been commissioned for Stowe House, Buckinghamshire. A gilt settee and stool also attributed to Goodison and believed to originate from Stowe are in the Metropolitan Museum New York.
The bed is almost certainly the one mentioned in the Stowe catalogue 1848, Lot 1740 from the Plantaganet Rooms..." a capital mahogany four post bed-stead - carved with lion's heads, on French castors, with silk tabaret furniture and gilt cornice: and a palliasse". It is likely that the cornice was at one time parcel gilt as can be seen on the Goodison furniture with Greek key pattern at Longford Castle.
George II Four Poster Bed
Illustration from English Furniture of the Eighteenth Century by
Herbert Cescinsky 1911.
Of superb proportion and design which suggests a top London maker like Goodison or Grendey.
The stopped fluted posts above a generous baluster on boldly carved hairy paw feet. The detachable bolt covers deeply carved with acanthus foliage.
Gadrooned and pierced canopy with acanthus carving to the corners.
Width 5ft (152.4cm)